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And finch movie production company4/3/2024 ![]() But at night, Eric Deggans likes to jam with his drum kit and bass. His day job is critiquing TV shows and media trends for NPR. He’s a veteran news photographer at WISH-TV, where he has covered some major news and sports stories over the years. Marcus grew up listening to Wes Montgomery records with his family and hung out as a kid in the pool and around the rest of Wes Montgomery Park on the Indianapolis east side. Hall lives in Indianapolis with his inspiring wife Judy and their two children, T-Bone and Pepper Lulu. In addition to his documentary work for Jukeboxer, the Idaho State alum has a passion for producing short art house films. Recently, five of those projects screened and received “Official Selection” status at film festivals internationally. I feel like we are producing some of the most important and compelling work of our long distinguished careers.” Hall said. “Kevin and I have worked together since the early 1990’s. “Jukeboxer allows me to flex every creative muscle from my body of work over a 35 year career. Murrow awards for his writing and feature reporting. The 20-time Emmy winner had a long career in television news before joining Jukeboxer productions as Co-Producer and Chief Editor.Īn Idaho native, Hall has the rare distinction of those working behind a lens of winning multiple Emmys and Edward R. Jim Hall is a two-time Peabody Award winner for his work as a photojournalist as part of an investigative team. After all, Kevin admits to being a rock and roll radio DJ early in his career. More recently, under the Jukeboxer Productions banner, Kevin is the producer/director/writer of Triton: America’s Deep Secret and, with WFYI-TV for APT (American Public Television), Kevin directed, wrote and produced A Writer’s Roots: Kurt Vonnegut’s Indianapolis. But it’s not all serious stuff. Murrow Award for large market WTHR-TV and writer for G-Man: The Making of an FBI Agent for Discovery (2002). ![]() Subsequent credits (Check out the portfolio page) include writer of New York Emergency for TLC (2000) co-executive producer and co-writer of In the Child’s Best Interest, winner of the national Edward R. It aired nationally on the now defunct Odyssey cable network. Kevin’s first bite at the documentary apple was a rewrite job in the 1990s on a little film about an American flyer who endured seven years in a North Vietnamese prison and lived to tell an inspirational tale. We’re all veterans but the key is we still love what we do. Wes Montgomery is not our first rodeo. Among us, we have produced, written, shot, designed and edited documentaries on Kurt Vonnegut, a Cold War submarine’s record-breaking secret voyage, a Vietnam Prisoner of War, the FBI Training Academy, juvenile justice, the arts and much more. One-by-one, we stepped away from the rewarding but grinding work of daily broadcast journalism to launch new careers, all intersecting in the production of meaningful documentary films. We have worked in cities small and large, traveled the country and around the world, and covered the biggest stories of our time. ![]() But at our core, we are journalists who see documentaries as an extension of good storytelling, simply with greater length and more resources. We have produced documentaries for film festivals, cable TV, public TV and even international television distribution. The only thing they have in common is people–people who want to test themselves and become FBI agents, people who test themselves and their submarine for an improbable run at history, young people facing difficult odds in juvenile courts who still manage to persevere, and one person, a world-famous author, and his journey from privilege to loss to self-made success. ![]()
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